Current Issue

Bombay Gin 39.2, 2013
flesh memory

This issue explores “flesh memory,” a concept the late Akilah Oliver defines in her introduction to the she said dialogues. Grounded in dance and performance art, flesh memory becomes an embodied practice, an expression of culture and ancestral memory, as when Akilah writes, “This text is situated in the on-going work I’ve been doing in performance with the concept of flesh memory as it relates to a critical interrogation of the African American literary/performative tradition.”  This issue is a response to flesh memory and features work from Tisa Bryant, Rachel Levitsky, Tracie Morris, Harryette Mullen, Eleni Sikelianos, Anne Waldman, and Akilah Oliver.

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