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about the MFA in Contemporary Performance.

Degree Requirements

First year, fall

First seven weeks:

Foundation Somatics/Investigating Physical Virtuosity: Developmental movement, experiential anatomy, release, dynamic alignment—Wendell Beavers, Erika Berland

Roy Hart Vocal Work: Ethelyn Friend

Psychophysical Acting/Grotowski Based: plastiques, corporals, cultivating immediate access to emotional sources, creating containers for emotion, understanding of presence—Steven Wangh and guest faculty

Contemplative Arts and Meditation Training: meditation practice and orientation to Buddhist phenomenology and psychology; nature of mind teachings from the Buddhist tradition—Barbara Dilley and Naropa faculty

Middle three weeks:

Viewpoints Intensive: Barney O’Hanlon, SITI Company, Wendell Beavers, Steven Wangh

Voice Tutorials: Ethelyn Friend

Physical Technique: SITI Company/Butoh/ Wendell Beavers

Practice and View: Barbara Dilley, Erika Berland

Applying Psychophysical Technique to Character Work, Styles and Performance: Steven Wangh, guest faculty

Moment Work/Directing/Playwriting: Leigh Fondakowski

Final four weeks:

Physical Training/Viewpoints: Wendell Beavers/SITI Company

Voice Intensive: Roy Hart guest faculty, Carol Mendelsohn and Saule Ryan

Ensemble Playwriting: Steven Wangh,Tectonic Theater

Applying Psychophysical Technique to Character Work,

Styles and Performance: Steven Wangh

Presentations

SUBTOTAL 12

First year, spring

First three weeks:

Physical Training: Developmental, Experimental Anatomy

Forms

Directing and Ensemble Playwriting: Moises Kaufman,

Tectonic Theater

Presentation

Second four weeks:

Advanced Somatic Technique, Experiential Anatomy/Eastern

Arts: Erika Berland, Wendell Beavers/Naropa faculty

Vocal Intensive: Roy Hart or extended vocal technique

Tectonic Theater Play Development: Leigh Fondakowski

Composition/Choreography/Postmodern Tradition: Barbara Dilley, Wendell Beavers, guests

Practice and View: Barbara Dilley

Presentations

Final seven weeks:

Roy Hart Vocal Work: Ethelyn Friend

Ensemble Projects: Faculty

Physical Training: Somatic technique, Butoh—faculty

Final First Year Project Presentations

SUBTOTAL 12

Second year, fall

Advanced Physical Technique: Dance-based techniques, release, somatic forms, yoga—Wendell Beavers and faculty

Theater-Based Physical Techniques: drawn from Butoh, Suzuki, Grotowski Plastique and Corporals—SITI Company, Steven Wangh and faculty

Scene, Monologue and Character: Faculty

Teaching Seminar: Steven Wangh, Wendell Beavers, Barbara Dilley

Vocal Work: Relating song to text, extend vocal techniques for extended voice—Roy Hart faculty, Carol Mendelsohn, Saule Ryan, Meredith Monk, The House company members

Acting Work: Relating psychophysical work to the Viewpoints, scene, classical text—Steven Wangh

Project/Production

Play Development: Leigh Fondakowski

Cultural and Academic Context Seminar: Daniel Banks and guest faculty (runs throughout semester)

SUBTOTAL 12

Second year, spring

Advanced Physical Technique: continuation of semester I sequence

Viewpoints: Composition, directing and performance technique—Wendell Beavers, SITI Company members, faculty

Vocal Work: Continuation of semester I sequence

Ensemble Playwriting/Directing: Tectonic Theater

Teaching Seminar: Barbara Dilley, Wendell Beavers, guest faculty

Ensemble Production: Meredith Monk and Company

Culminating Projects: Initiated and designed by the student in the fields of service learning, creating pedagogy, pure research focused on training issues or production

SUBTOTAL 12

TOTAL CREDITS 48

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